I didn’t really see enough to do a “worst” part of the list. A lot of these are ones I saw at MIFF but the Raid movies and the Night Comes for Us are from other times and Netflix.
The Raid: Redemption (2011) / The Raid 2: Berandal (2014)
Truly epoch-making action cinema. Even if you do not watch Asian action cinema at all you would have watched something that has been influenced by these two movies. I keep seeing other stunts and fight choreography that has been borrowed from this film. Cecep Arif Rahman in John Wick 3 not being defeated on screen was due to the amount of respect Keanu Reeves had for the actor.
“When they are shooting it is like two dogs fighting over a bone, but as soon as the camera stops it is all smiles and backslaps.” – the director on whether the stars of the movie had a “knock down” clause like the Rock and Jason Statham.
Takes the action of the Raid films and kicks it up one notch further adding more gore and painful to watch violence. The Operator could do her own film easily. Also, when in doubt pop that collar!
The Act of Killing (2012) / The Look of Silence (2014)
When Errol Morris and Werner Herzog decide to jump on board as producers, you know it is something important and it was. At the Q&A for the first documentary I took 19 pages of notes, people asked question in Indonesian.
The second film was actually meant to be made first but was shut down by the army so they went to interview the perpetrators of the violence instead.
Starring: Muhammad Khan, Raditya Evandra, Rianto, Sujiwo Tejo, T. Rifnu Wikana, Whani Darmawan
A young boy Juno (Muhammad Khan) is abandoned by his father in a central Java village and is looked after by a string of shithead adults until he finds his own way in the world. The stories are narrated by the adult Juno (Rianto) based on his real experiences and have some strange scenes of violence and surrealism.
The teenage Juno is played by Raditya Evandra and ends up working as a tailors’ assistant and falls for a fighter.
He ends up with a group of Lennger dancers in a remote village as they have been pushed out of the cities and only perform in the villages. A local political candidate wants the group to perform and takes a shine to Juno, wanting him to perform as special ceremony for good luck. The Wurok of the dance group decides to take Juno as his Gemblak, a young male lover giving magical powers.
The memories of my body refers to the trauma and violence of being human. All people have some trauma in their lives and there is always violence. “It’s just like life, you’ve got to take the funny with the tragic.”
From the director he said the movie was made in just two weeks. It is also banned in six cities in Indonesia and has a theatrical cut and a festival cut. There is an issue currently with Islam from the Middle East coming in to the country and winning out over the local beliefs.
Before September 11 there wasn’t the fanatical Muslim beliefs and there was even a LGBITQ Quran school before it was shut down by hardliners. There is a claim that LGBITQ is a western concept and did not exist in the country before, there are at least five gender on Java and on each island it is different.
There were not many questions from the audience, but there were good ones. One was about how LGBTIQ people are being treated as it used to be if they kept it secret they wouldn’t be treated badly. The director said there has been some incidents, but he wanted to open a discussion.
The dancer from the movie is doing a performance in Melbourne coming up so hopefully it has a lot of people attend.
I thought the movie was very well shot considering it was made in such a short time. It seems very naturalistic and the performances are very rough and unpolished. I did like seeing the same boom box that Juno carries around everywhere each time he moves.
The setting of the movie seems to be some-time around the 1980s but it does have the post-Suharto era included. A reference to the anti-Communist purge of 1965 is in the film also.
A great story and more of a character study and a big showy movie. Is perfect if you want something slower and more arthouse after the endless stream of superhero movies of the past few years.
In this companion documentary to the Act of Killing, Adi, whose brother was killed in the Communist purges in Indonesia during 1965 confronts the killers responsible for his brother’s death in an effort to get them to apologise or at least admit their guilt.
How Adi manages to keep it together in the face of such shocking admissions from the killers is nothing short of extraordinary and he is also threatened at times as his questions are seen as too deep and probing.
I would recommend watching this if you have seen the Act of Killing or even if you have not but be warned there are some brutal descriptions of the killings by the people who carried them out and the behaviour of some of the killers is even worse.
From the Q&A Joshua Oppenheimer said they started filming with Adi and the survivors first, but after three weeks the army threatened them and they had to shut down.
It was the survivors who suggested that they film with the perpetrators of the killings as they were open to talking about it.
As it turned out this was a good idea as the perpetrators boasted of the killings and after filming interviews with 40 people, Anwar Congo was the 41st person filmed and turned out to be the main protagonist of the first film.
Joshua thinks that the boasting and guilt are related and the killers are putting on a performance when they describe the killings as they do not merely recount what happened.
Adi watched all the footage that Joshua sent him over the seven years while making the first movie.
Joshua gave Adi a camcorder to record a video diary, one thing that Adi filmed ended up in the Look of Silence.
It was decided by Joshua to make two movies way back in 2004, one with the perpetrators and the other with the victims.
It was Adi’s idea to meet his brother’s killers, Joshua was against it as he did not think it would be safe.
Adi said he wanted to do it as he did not want his children to live in a “prison of fear” as his parents had done. The footage he shot that appears in the movie shows the day his father was too far gone to be able to conquer his fears as his mind was gone.
The film was shot in the months before the Act of Killing premiered in 2012. While the first movie covers Indonesia-wide killings, the second movie focusses on one village in Northern Sumatra.
Joshua did not think they would get to finish filming after the first film came out and he was waiting for them to be shut down.
Q – What happened to Adi?
A – The Act of Killing led to a change of attitudes in Indonesia so the killings are now regarded as a genocide and not covered up. Although Joshua cannot return to Indonesia, Adi and his family remained but moved to another part of the country. He has since opened an Optometrist and there are people monitoring his safety. He has not received any death threats but Joshua continues to.
There is still too much corruption in Indonesia and it is a democracy in name only according to Joshua Oppenheimer.
Q – Is there a truth and reconciliation commission? What is the role of other countries?
A – The International Criminal Court (ICC) cannot try the cases as they happened before it was set up.
There could be a special tribunal set up by the UN Security Council but several countries that supported Indonesia in the killings have veto power and would not agree to it.
A senator saw the film and is moving a resolution to get the files in the USA involving the support of Indonesia at the time declassified. There is a petition to support this resolution.
Major corporations used slave labour from people detained around the time of the killings.
The USA provided the radios used to organise the killings and a list of names.
Q – What about West Papua and the involvement of corporations?
A – The film takes place in Northern Sumatra. There was no need for other massacres in other parts of the country as people were scared into silence. Atrocities are still being committed by the militias and supported by the Army.